Opera & Music Theatre

“…Van Parys’s score fits arrestingly well… The performance was overwhelming…” An Oresteia - Maarten Beirens, De Standaard, 22 February 2011

USHER (100') 2018 - SECOND OPERA OF ANNELIES VAN PARYS

This opera is based on Debussy’s “La Chute de la Maison Usher”. It departs from the existing sketches (roughly 20’) of Debussy but is by no means intended as an attempt to reconstruct the piece. The text of Debussy and Gaea Schoeters is based on E.A. Poe’s "The Fall of the House of Usher".
USHER is a co-commission of Staatsoper Berlin and Folkoperan Stockholm. 

CREDITS
Composition: Annelies Van Parys/Claude Debussy • Libretto/ Scenario: Gaea Schoeters/Debussy/Poe • Musical Direction: Marit Strindlund • Direction /Set Design: Philippe Quesne • Dramaturgy: Roman Reger • Music: Members of the Staatskapelle Berlin (Berlin) / KammerensembleN (Stockholm) • Soprano: Ruth Rosenfeldt / Alexandra Büchel • Baritones: David Ostrek, Martin Gercke, Dominic Kraemer / Olle Persson, Ola Eliasson, Rickard Söderberg

INSTRUMENTATION
1 soprano, 3 baritones
Flute, saxophone (soprano + tenor), trumpet, horn, trombone, tuba, bayan, harp, percussion, 2 violins, viola, violoncello, double bass + surround.

“… a thrilling new opera… There’s a touch of Hitchcock and a lot of David Lynch in the visual aesthetic… Marit Strindlund conducts with a combination of coherence, order and sensuality that matches the score perfectly…” Financial Times
©Mats Bäcker

HET KANAAL (90') 2017- A MUSICAL THEATRE PLAY

This performance consists of two monologues written by Gaea Schoeters in which texts by Shakespeare provide a kind of meta-commentary. These texts were set to music by Annelies Van Parys.

CREDITS
Composition: Annelies Van Parys • Scenario / Theaterplay: Gaea Schoeters (&Shakespeare) • Soprano: Naomi Beeldens • Lute / Guitar: Maarten Vandenbemden • Staging: Het Geluid Maastricht  • Set Design: Anneleen De Causmaecke

INSTRUMENTATION
for 2 actors, singer and lute/guitar

©Tui Hanoulle

DIARY OF THE ONE WHO DISAPPEARED (15') 2017 - SONGS (TAGEBUCH)

A commission by the Klara Festival. The production was a staged setting of the Song Cycle of Janacek with added new songs of Van Parys for the female character of Zefka and the female choir.

CREDITS PERFORMANCE Composition: Annelies Van Parys/ Leos Janacek • Concept and staging: Ivo Van Hove • Stage: Jan Versweyveld • Dramaturgy: Krystian Lada • Soloists: Ed Lyon and Marie Hamard • Actor: Hugo Koolschijn • Choir: Trees Beckwé, Isabelle Jacques, Raphaële Nsunda Nluti • Piano: Lada Valesova  

INSTRUMENTATION COMPOSITION
Soprano, 3 female voices (S, M, A) and piano

©Jan Versweyveld

AND THOU MUST SUFFER (4' + 3') 2016 - INTRODUCTION AND CODA TO THE SAINT-JOHNS PASSION

A commission by the Klara Festival. The performance was a staged setting of the Saint-Johns Passion by Pierre Audi with contemporary pieces at the beginning, in the middle and at the end.

CREDITS PERFORMANCE
Compositie: Annelies Van Parys/ Samir Odeh-Tamimi/Johann Sebastian Bach • Concept and staging: Pierre Audi • Direction: Andreas Spering • Soloists: Jacop Pilgram, Dominik Köninger, Grace Davidson, Benno Schachtner, Magnus Staveland, Tomas Kral • Choir: NFM Choir • Ensemble: B'Rock • Set and light: Roel Vanberckelaer and Peter Quasters • Images: Wim Delvoye • Video: Myriam Devriendt

INSTRUMENTATION COMPOSITION
Choir and baroque orchestra

Private View - First opera by Annelies Van Parys 2015

Annelies Van Parys, one of the resident composers at Muziektheater Transparant, writes Private View, her first opera, for the Opera XXI festival. Private View is a production of Muziektheater Transparant in coproduction with Concertgebouw Brugge, Operadagen Rotterdam, Opera Vlaanderen, Deutsche Oper Berlin, Asko|Schönberg, Collective 33 ⅓, National Opera Bergen and Les Théâtres de la Ville de Luxembourg. With the support of BesteBuren. Private View was awarded the FEDORA - Rolf Liebermann Prize for Opera 2014.

CREDITS
Composition: Annelies Van Parys • Libretto: Jen Hadfield • Scenario: Gaea Schoeters • Musical Direction: Etienne Siebens • Direction I Dramaturgy: Tom Creed • Set Design I Video: Collective 33 1/3 • Music: Asko I Schönberg Ensemble & Neue Vocalsolisten Stuttgart • Soprano: Johanna Zimmer • Mezzo Soprano: Truike Van Der Poel • Tenor: Martin Nagy • Bariton: Guillermo Anzorena • Bas: Andreas Fischer • Light Design: Peter Quasters.

Field Recordings ('50) 2015

Commissioned by Concertgebouw Brugge and realized with the support of the Flemish Government.

A performance - Installation 

CREDITS
Composition: Annelies Van Parys • Texts: Peter Verhelst • Concept and Installation: Anneleen De Causmaecker • Sound: Roel Das • Mezzo: Els Mondelaers • Saxophones: Andy Dhont • Percussion: Vincent Caers • Dance: Isabelle Balsa

INSTRUMENTATION
Mezzo soprano, Saxophone (1 player, multiple saxophones), percussion and electroacoustic installation of 98 speakers

©Trui Hanoulle

Bzzz't (20') 2012

For solo harp

Commissioned by Theater De Spiegel.
Music theatre production for small children.
Premiered by Isabelle Matthijssens / Sonja Tavormina

Instrumentation: Harp

Pelléas et Mélisande, Debussy – arr. Van Parys (120') 2011 cfr. arrangements

Parcours (20’-25’) 2011

For recorder solo, water and electronics. 

Commissioned by and dedicated to Guillaume Van Mechelen 

Premiered by Jan Van Hoecke, June 2011 at Werkhuys Antwerp. Concept and Staging Anneleen De Causmaecker, staging advice Fardau Akkerhof 

Supported by Studio Champ D’Action (electronics: Jasper Braet)

Instrumentation: Recorder, water, electronics

Een Oresteia 2010 / 2013

A drama of Clytemnestra from the Oresteia by Aeschylos; a companion to Oresteia by Iannis Xenakis. 

Text by Aeschylos, selection Caroline Petrick Transl. A.D. Bouillet, P. Claudel
for mezzo, mezzo-alto, alto and ensemble

Part 1.  Prologue
Part 2.  Clytemnestre se justifie
Part 3.  L'ombre de Clytemnestre
Part 4.  Epilogue

80' ( staged version, 2010 )
20' ( concert version, 2013 )

Instrumentation: Soprano, Mezzo, Mezzo-alto, flute, oboe, piccolo clarinet Eb, contrabass clarinet, double bassoon, horn in F, trumpet in c, tenor trombone, tuba, cello, timpani, percussion (1)

Commissioned by the Eduard van Beinum Stichting for Asko/Schönberg 

Staged version premiered by VocaalLAB Nederland and Asko/Schönberg Ensemble, cond. Alejo Pérez, February 2011 at Concertgebouw Brugge. Concept and staging Caroline Petrick. A production of Muziektheater Transparant and Concertgebouw Brugge

Concert Version premiered by Asko/Schönberg Ensemble, cond. Clark Rundell, September 2013 at Vredenburg Leeuwenburgh, Utrecht for the opening concert of the 2013 Gaudeamus Muziekweek

Can be performed as a separate music drama, for stage or concert hall, or as part of a complete "Oresteia" to be performed alongside that of Iannis Xenakis.

“…the adaptations were so well integrated that they - certainly after a first hearing - seemed to fit seamless in the rest. Performed by Muziektheater Transparant, Asko/Schönberg and VocaalLAB Nederland, the whole composition was an overwhelming experience." An Oresteia - Peter Vianen, Gonzo, 27 February 2011

An Index of Memories (70’) 2009

For Mezzo, Bariton, SSA and Ensemble 

Commissioned by the Spectra Ensemble

Premiere by VocaalLAB Nederland and Spectra Ensemble, cond. Marit Strindlund, March 2010 at deSingel, Antwerp. Staging Caroline Petrick A production of Music Theatre Transparant

Instrumentation: Mezzo, Baritone, SSA, flute, clarinet, horn, violin, viola, cello, percussion (3).

“This performance again reflects the big talent of Annelies Van Parys who, as few other composers in Flanders, masters the art of limitation and has no fear for beauty and seduction.” An Index Of Memories - Stefan Moens, De Morgen, 15 March 2010